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CHRIS SILK

Title: Theatre Critic
Contact: 239-435-3442 | Send CHRIS an email

About CHRIS SILK

Biography

FOR BOOK REVIEWS / MOVIE REVIEWS / MUSIC REVIEWS / EVERYTHING REVIEWS: (I *do not* write anything but theater reviews. Thank you very much for asking. But if you want to send something anyway, go ahead. I will look at it and do one of the following: contact you, pass it on to someone else, recycle it or donate it to the appropriate charity.)
mail submissions to:
Chris Silk
c/o Naples Daily News
1100 Immokalee Road
Naples, FL 34110
**SUBMISSION IS NO GUARANTEE OF COVERAGE

IF YOU LIKE WHAT YOU'RE READING, THERE'S MORE!

1. Follow me on Twitter: @napleschris

2. Read my "Stage Door" blog and stay up on local theater news. You can also sign up to receive the Stage Door blog via email or follow the "Stage Door" Facebook page for up-to-the-second theater news and conversation. .

3. Read my Starbucks Drama blog for a over-caffeinated dose of humor and fashion-forward foibles from everyone's favorite green-apron coffee shop!

4. Comments are always welcome! SEND ME AN EMAIL!


Chris Silk joined the Daily News in January 1999. He graduated summa cum laude from the honors program at the University of Louisiana at Monroe with a degree in Journalism and minors in Spanish and History.

While at ULM, he spent four semesters as editor of his college newspaper, The Pow Wow, which was honored with a public service journalism award from the Southeastern Journalism Conference and a "Best in Louisiana" award from the Louisiana Press Association.

Chris interned at the Daily News through the Dow Jones Newspaper Fund Online Editing program in the summer of 1998 before returning to Naples full-time to work on the Web desk. He remembers when there were only two lanes headed over the Gordon River on U.S. 41 and you could see cows along Interstate 75 in Bonita Springs.

Chris began reviewing local theater performances for the Daily News during the fall of 2007. His first review was of Queen Latifah's slamming performance at the Philharmonic, while his favorite so far has been "Eagle Fruit," British playwright Terry Johnson's scream-and-leap blast of performance art for the spiritually deprived from the Laboratory Theater of Florida in December 2009.

Why are you STILL READING THIS? Then you must really, really, really love me. Fine. Go read my Starbucks Drama blog. I tell it like it really is!

CHRIS SILK

Position History

  • Theatre Critic
    12/01/2008 - current
  • Site Manager
    12/01/2006 - 12/01/2008
  • Online Editor
    01/08/1999 - 12/01/2006

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Recent Work

  • Review: FGCU students serve up "peachy" adaptation of Roald Dahl classic Updated 06/13/2013 at 2:08 a.m.

    I treasure Roald Dahl's children's fiction. I can recite detailed plots of four from memory. Thus, I approached FGCU TheatreLab's productionof Dahl's "James and the Giant Peach," with trepidation. If Hollywood has taught us anything, is is to be wary ...

  • Review: Stage 2 Improv serves up quick wits, fast comedy in solid debut Published 06/07/2013 at 3:01 a.m.

    Maybe improv does have a future in Naples. Stage 2 Improv - "the next stage of comedy" (insert eye roll here) - served up a loud, lively, way-better-than-I expected debut in the Naples Players' black box space Friday night. There ...

  • Review: Songbird Beck belts tunes of Patsy Cline at Broadway Palm Published 06/07/2013 at 2:42 a.m.

    As Patsy would say, God bless Heather J. Beck. "That girl can sing!" The songstress renders an uncanny vocal portrait of the country music legend up on the Broadway Palm stage in the early summer revue "A Closer Walk with ...

  • Strong songs from depths of Detroit save "Dreamgirls" from disaster Published 05/23/2013 at 2:39 p.m.

    Shimmy shimmy. Shake shake. Dip. Croon. Sparkle. Wail. Ooooooh. "We're you're 'Dreamgirls.'" Delightful, delicious, feathery musical "Dreamgirls" floated into the Phil (sigh, Artis–Naples) Wednesday. There's a reason the show appears "One Night Only," but the music of Motown makes it ...

  • Ghostbird, Brady soar with Kickstarter crowd-funding success Published 05/22/2013 at 2:07 p.m.

    One adjective runs through the phone conversation I shared with Ghostbird Theatre Company founder and producing artistic director Brittney Brady: "exciting." The word - or some form of it - pops up on every page of my notes.

  • Review: "American Idiot" rocks Fort Myers Published 05/21/2013 at 2:54 p.m.

    "American Idiot" has something to say. "American Idiot" has nothing to say. Part rock concert, part political statement, part slamming, jamming, banging celebration of youth, freedom, music and the very emptiness of American culture at the dawn of the millennium, ...

  • Review: "50 Shades! The Musical" cracks the whip on comedy in Fort Myers Published 05/21/2013 at 2:44 p.m.

    "50 Shades! The Musical" crawled blindfolded and ball-gagged into Fort Myers Friday. Oh, what a night. Sweet Katherine Kavanagh, what a night! Roaming the lobby at BBMann, one might have thought pop stars of One Direction stature were less than ...

  • Review: Ladies laugh through life in "Love, Loss and What I Wore" Published 05/19/2013 at 10:08 a.m.

    Every woman with a cluttered purse should see Theatre Conspiracy's production of "Love, Loss and What I Wore." Every woman with a disorganized closet should see "Love, Loss and What I Wore." Every woman should see Theatre Conspiracy's production of ...

  • Review: Lab Theater explores Bible Belt lives with poetic "Rimers" Published 05/17/2013 at 11:01 a.m.

    The Laboratory Theater of Florida closes their season with an evocative, at times thrilling production of Lanford Wilson play "The Rimers of Eldritch." Director Louise Wigglesworth delivers strong work in teasing out the play's poetry. I wish the creative work ...

  • Cape Coral deaf, hearing community join forces for a signed production of 'Wizard of Oz' Updated 05/17/2013 at 10:19 a.m.

    "The Wizard of Oz " is already a very visual musical. So what happens when you include the poetic movement of sign language into it? A Cape Coral group is finding out firsthand.

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